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Greetings. It's certainly the case that for most of us, viewing a film in a good theater is a totally different experience than the distractions and interruptions of trying to watch a DVD at home (not that many theaters don't have their own annoying distractions). But the encompassing viewing environment of a decent theater can provide an impact that would be impossible to recreate for anyone who can't afford a private screening room. Watching movies in theaters has become relatively expensive, in comparison to the technologically-available alternatives (e.g. DVDs). The price that people are willing to pay for even the best theater experience is not infinitely elastic when they have other ways, albeit usually inferior in significant respects, to view films. The barrage of commercials in most theaters is salt in the wound. But I believe that the biggest factor by far is the "quality" of new films being released. They far too often -- and I'll use a technical Hollywood term here -- suck. We see an endless stream of idiotic remakes and "reimaginings," most of which are simply unimaginative and awful. The high cost of production has caused the major studios to cower in the corner of familiarity. Yes, even films that are totally original may fail -- we have recent examples of that, too -- but it's with original works that the salvation of the movie business is to be found -- if it is to be found. One interesting data point is the success of "revival" movie theaters that pack in the patrons -- often at ticket prices similar to first-run films -- to see big-screen prints of movies that have been available on videotape or DVD for many years. Here in L.A., American Cinematheque ( http://www.americancinematheque.com/ ) is a prime and superb example that I frequently attend. True, American Cinematheque is located in the heart of Hollywood and the film industry, but revival film theaters also do well far outside the confines of our company town. Below is a reference to an article on this topic that appeared today, originally from a recent "Nightline" segment. --Lauren-- Lauren Weinstein lauren@pfir.org or lauren@vortex.com or lauren@www.eepi.org Tel: +1 (818) 225-2800 http://www.pfir.org/lauren Co-Founder, PFIR - People For Internet Responsibility - http://www.pfir.org Co-Founder, EEPI - Electronic Entertainment Policy Initiative - http://www.eepi.org Moderator, PRIVACY Forum - http://www.vortex.com Member, ACM Committee on Computers and Public Policy Lauren's Blog: http://lauren.vortex.com DayThink: http://daythink.vortex.com - - - http://abcnews.go.com/Nightline/story?id=986352&page=1 ... "There's been so much talk about the slump," Parkes added. "I think the question that is in everybody's mind is, 'Is this a temporary state of affairs that came about as the result of a number of pictures that didn't work, or are we looking at some kind of fundamental shift in the viewing patterns of the audience?' " ... _______________________________________________ EEPI-Discuss mailing list information: http://lists.eepi.org/mailman/listinfo/eepi-discuss